Monday, 6 June 2016

Shotlist / Floorplans

In order to plan the shots I do floorplans indicating the setups, the shots and the movements.
Here is scene 77 where Anna comes into the office and the camera follows her on a dolly which is pulled backwards.
The distance between camera and Anna is kept constant so that no focus pull had to be done. In order to keep the distance a thread was attached to the camera and Vasso held the other end straight so that she stayed in focus.
Here is the complete shotlist.

1 comment:

  1. Always try to discuss the meeting with those colleagues who'll be attending it with you, as well as others who have useful observations to add. It helps if all of those present in the meeting space San Francisco can sing from the same hymn sheet.

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