In order to plan the shots I do floorplans indicating the setups, the shots and the movements.
Here is scene 77 where Anna comes into the office and the camera follows her on a dolly which is pulled backwards.
The distance between camera and Anna is kept constant so that no focus pull had to be done. In order to keep the distance a thread was attached to the camera and Vasso held the other end straight so that she stayed in focus. Here is the complete shotlist.